Charismatic and controversial German artist Joseph Beuys (1921-1986) was a messianic figure, alternately considered a shaman, a kook, a radical political activist, and a breakthrough artistic genius. Filmmaker Andres Veiel mines a rich trove of never-before-seen archival footage, showing how Beuys’s teachings (at the Kunstakademie Düsseldorf), installations (using felt and fat), ‘happenings’ (covering himself in honey and gold leaf in How to Explain Paintings to a Dead Hare or locking himself in a room with a coyote in I Like America and America Likes Me), and lectures (“money shouldn’t be a commodity”) argued for a more expansive view of the role of art in our lives.

Always recognizable in his trademark fedora, Beuys was a visionary who, 30 years after his death, continues to influence artists as well as confound and entertain the rest of us. BEUYS will have a two-week engagement, from January 17 to January 30, at Film Forum.

Please refer to https://filmforum.org/film/beuys-film for full showtime schedule.